You
might want to have a good hot shower waiting for you after you view
this cheapo B thriller from 1965. There is a sadness attached to it,
maybe it has to do with seeing the late Sal Mineo at the end of his
short and sometimes impressive career or the cheap actual dingy
apartments, or the time lost footage of the long gone Times Sq. The
plot is sordid. A sexual stalker is on the loose and we know who it
is pretty much as soon as the film begins. The investigation is led
by a police detective played by an unexpected Jan Murray whose wife
was slaughtered by a sexually crazed killer who has never been
found, and he takes a deep personal approach to the new crimes,
especially the threatening calls that Juliet Prowse keeps getting.







Juliet spins disco records at a seedy dance club managed by
Elaine Strich where Sal also works. Strich who is lesbian and in
keeping with the times will not have a happy time of it. Strich along
with Murray and Mineo have eyes for Juliet, oh those legs but all
three get nowhere with her. The calls continue and the chase is on to
find the stalker before he turns into a killer. The film is fun for
its actual shooting on New York streets and in Times Sq. along with
the campy disco where these people from another time, do these silly
dances that look scary and dated.
Sal lives in a cramped dump
with his mentally challenged sister who saw something when she was a
kid that caused her to fall down a flight of stairs in fright. Sal
takes care of her as best he can and our sympathies are with them. At
least for a time. What she saw finally comes out, and you will have
to sit through this B to find the answer which is very sordid and
ugly especially for its time. Also the images of sal in a tight
bathing suit showing off his bulge and butt did not sit well with the
censors at the time, and the film had trouble finding places to show
it. It was banned in England for a time. Feminists applaud the film
for the strong woman Juliet Prowse projects especially for the time
who takes no prisoners or shit from anyone. I'm not on the bandwagon
for this film, its just too sordid and nasty for me, but the nyc
footage by joseph Brun is great, and seeing the wonderful Sal Mineo
is a treat. This film has a big cult following and it is now showing
on the Criterion Channel.