Sunday, March 22, 2026
Saturday, March 21, 2026
Who Killed Teddy Bear 1965
You might want to have a good hot shower waiting for you after you view this cheapo B thriller from 1965. There is a sadness attached to it, maybe it has to do with seeing the late Sal Mineo at the end of his short and sometimes impressive career or the cheap actual dingy apartments, or the time lost footage of the long gone Times Sq. The plot is sordid. A sexual stalker is on the loose and we know who it is pretty much as soon as the film begins. The investigation is led by a police detective played by an unexpected Jan Murray whose wife was slaughtered by a sexually crazed killer who has never been found, and he takes a deep personal approach to the new crimes, especially the threatening calls that Juliet Prowse keeps getting.
Juliet spins disco records at a seedy dance club managed by Elaine Strich where Sal also works. Strich who is lesbian and in keeping with the times will not have a happy time of it. Strich along with Murray and Mineo have eyes for Juliet, oh those legs but all three get nowhere with her. The calls continue and the chase is on to find the stalker before he turns into a killer. The film is fun for its actual shooting on New York streets and in Times Sq. along with the campy disco where these people from another time, do these silly dances that look scary and dated.
Sal lives in a cramped dump with his mentally challenged sister who saw something when she was a kid that caused her to fall down a flight of stairs in fright. Sal takes care of her as best he can and our sympathies are with them. At least for a time. What she saw finally comes out, and you will have to sit through this B to find the answer which is very sordid and ugly especially for its time. Also the images of sal in a tight bathing suit showing off his bulge and butt did not sit well with the censors at the time, and the film had trouble finding places to show it. It was banned in England for a time. Feminists applaud the film for the strong woman Juliet Prowse projects especially for the time who takes no prisoners or shit from anyone. I'm not on the bandwagon for this film, its just too sordid and nasty for me, but the nyc footage by joseph Brun is great, and seeing the wonderful Sal Mineo is a treat. This film has a big cult following and it is now showing on the Criterion Channel.
Friday, March 20, 2026
Wednesday, March 18, 2026
The Bicycle Thieves 1948
Talk about great movies, and it should lead you to this superb Italian neo realist classic directed by the great Vittorio de Sica in 1948. I haven't seen it in years, and thanks to the Criterion Channel I was able to view it in a really nice transfer the other night. It took the silliness of the Oscars and put them where they belong, I think Sean Penn would agree with me. Set in the post war city of Rome which is also one of the “stars” of the film, the story is simple but the emotions are complex. A struggling father with a little baby and a nine year old boy, is desperate to find a job, but the one he does find posting advertising bills and posters requires a bicycle which is in the pawn shop.
His sad wife literally takes the sheets off their bed and takes them to the pawn shop to hopefully get the money to get his bike out of hock. They do, and if you think things are looking up for this family forget about it. I'm not going to give away much of the plot but there are many scenes of tenderness and sadness especially between the father beautifully played by Lamberto Maggiorani and his young son brilliantly acted by Enzo Staiola. The scene of them eating out in a restaurant maybe for the first time tore me up even though the scene has some obvious touches.
Actually the entire film tore me up, and I'm still looking for the pieces. This is neo realism which means of course that it was filmed in the actual streets of Rome with mainly real people but De Sica uses many actors both professional and untrained in most of the key acting roles. The film won the honorary Oscar in 1949 as the most outstanding foreign language film released in the united states during 1949 and also was nominated for the screenplay Oscar but lost to “A Letter To Three Wives.”. Of course the title gives the plot away but you need to see it to get the raw beauty and yes elegance of this great film and I promise that the ending will reduce you to tears or at least stay with you for a couple of days. One of the ten best films of 1948.
Sunday, March 08, 2026
Tuesday, March 03, 2026
The Secret Agent 2025
A heartbreaking work of staggering beauty and intensity. If the Oscars get it right with their oncoming onslaught of glamour and bad taste, then Wagner Moura will walk off with the best actor Oscar, but I'm not holding my breath. This is the 3rd time I've seen him act. His most famous role is his intense on going part in “Narcos” that harsh series in which he played Pablo Escobar.
Monday, March 02, 2026
Oddball Magazine
Oddball Magazine, that oddball oddball has just published a poem by Jules Nyquist along with one of my fat donnie pieces. You can see it all at the link below.
https://oddballmagazine.com/poem-by-jules-nyquist-3/?fbclid=IwY2xjawQS12lleHRuA2FlbQIxMABicmlkETF2ZDFubDQ3aEtmd1FmVGxmc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHm3xPg1FVnDRvVOENbptTk3bx17VKhgGjPZP_SXuv3C7fF_qhxwFQ2Phh8yT_aem_6CSxKjtskQhkhEqw6OlUvw
Friday, February 27, 2026
Monday, February 23, 2026
Wednesday, February 18, 2026
Tuesday, February 17, 2026
portrait
It was quite a shock to see myself with John hanging in the Brooklyn Museum in this portrait by Sylvia Sleigh. I'm not in their collection, they have constantly ignored my art forever so it seems, so I have mixed feelings about this. Glad for Sylvia though and it was fun to watch viewers looking at me. what were they thinking?
Monday, February 16, 2026
Sunday, February 15, 2026
Love Story John F. Kennedy Jr. and Carolyn Bessette
Wednesday, February 11, 2026
Wednesday, February 04, 2026
Tuesday, February 03, 2026
Friday, January 30, 2026
Tuesday, January 20, 2026
Oddball Magazine January 2026.
One of my trump portraits along with a poem by Chad Parenteau. Click on the link
https://oddballmagazine.com/poem-by-chad-parenteau-20/
Thursday, January 15, 2026
Sunday, January 11, 2026
Friday, January 09, 2026
Sinners 2025
For the first half
of this Ryan Coogler audacious movie I sat in awe and pleasure as I
was expecting a large and imaginative take on African American life
in the Jim Crow south of 1932. I had really no idea what was coming
and knew very little about this blockbuster movie and even its
blockbuster status surprised me before seeing it. Now of course I
understand why it was such a huge hit and it has nothing to do with
African American history in the deep south of 1932. More about that
later on.
The story concerns two grown twin brothers both
played by the fine charismatic handsome actor Michael B. Jordan. The
first surprise for me. They are home from Chicago where they were
members of the Al Capone gang and are now ready to spend some of
their ill gotten bucks on opening a big Juke Joint for the pleasure
and enjoyment of their down beaten community in a huge abandoned
sawmill that they buy from an obvious racist and maybe even a KKK
member.
The two twins are nicknamed smoke and stack cute
right? and upon returning they are greeted by close friends and some
new buddies. Among the new buds is Sammy a young cousin of theirs who
sings and plays the guitar beautifully, and is soon taken under the
twin's enveloping wings. Sammy has conflicts with his father who is a
no nonsense minister of a small southern church and does not like
what Sammy is doing.
The film actually opens with Sammy all
battered and bruised holding the remains of his guitar driving
confused up to his father's church in a vintage red convertible. We
know nothing of what happened until the movie flashes back in time to
a few days earlier. For some reason known only to Coogler the screen
ratio keeps going from wide screen to 4.3, one of the annoying things
I didn't like.
Its in the long flashback that takes up most
of the movie's running time of 138 minutes and where the story
unfolds we meet all the major and minor characters of the movie We
meet the Chinese couple Grace and Bo Chow and their teenage daughter
Lisa who own two groceries one selling to whites only and the other
to blacks. They are old friends of the brothers and I love the
affection and feelings that they have for each other. I knew nothing
about the vibrant Chinese community who had homes and lives in the
deep south during this period or indeed any other period so I
welcomed this new addition of knowledge.
One of my favorites
in the film is played by the great Nigerian British actress Wunmi
Mosaku who gives another terrific performance as Smoke's estranged
wife and practitioner of hoodoo and mother of their dead infant. She
is a majestic and monumental figure.
There is a lot of
great music in the film, and a highlight is the large dance number at
the juke joint where dancers come back from the far and recent past
to perform in this wonderful dance and music number. It is a
successful attempt at mixing music, fantasy and dance and the look of
this number brought back to me images of paintings by some of the
great African American artists of the time including Archibald John
Motley, Romare Bearden and Jacob Lawrence whose works I've posted
with the review.
Spoiler Alert
However
my admiration for the film starts to go downhill with the
introduction and take over of the story by the far fetched appearance
of vampires. Why vampires? Are they a metaphor for the racists and
KKK? This strange brew just didn't work for me, it was as if another
film had stumbled into this movie and it's a silly intrusion into
what was for me, a marvelous interpretation of the period and the
African American experience during this time. It just didn't work for
me. I know I am in the minority about this vampire thing, but that's
ok.
I can only think that Coogler who has made some of the
Marvel films and the Rocky spinoff “Creed”wanted to capture the
younger audiences which he did. However I pretty much turned off
during the last part of the film with all the vampire bloodshed and
bullshit. He also adds two Addenda endings both of which were
unnecessary and mawkish including a one man bloody attack on the KKK
and a later look at the character of Sammy also unnecessary.
None
of this has hampered the generally very good critical response, and
the film's appearance in most of the year end award nominations and
winners, and then there are those stunning blockbuster box office
returns. Listen I have nothing against the mixing of history with
fantasy. In fact one of my favorite series of the recent past is
“Lovecraft Country” that wonderfully mixed fantasy, sci fi and
horror with the African American experience in Chicago during the
40's and 50's and featured a stunning group of African American
actors including Wunmi Mosaku.












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