Friday, February 28, 2020

Donald Judd Moma










If any of you out there think that minimalism is not beautiful then I urge you to go see the brilliant and gorgeous Don Judd retrospective now on at the Moma. This is a large (space wise and scale wise) brilliant showing of this masters sculptures from the early 60's to his untimely early death at 64. His sculptures are about shapes and the industrial landscape especially with his use of materials which consisted of big boy stuff not usually used or associated with art. These are looming pieces full of surprises, nooks crannies and shadows. They are on the wall and on the floor and were at the time radical and off beat, they must have been something on first sight. The "skins" of his pieces are bright, tight and sharp, his colors are primary and I thought of the colors of cosmetics especially nail polishes and lipsticks they are that alluring. He also used reflections, holes and shinny skins polished so bright that they look like they could light a city. His stacking pieces are also powerful and impressive, simple but complex and compelling. Many of his pieces can be looked at different angles and you see differences, in light, space, both opened and closed. I loved this show, so much that I walked through it twice. Easily one of the best shows of 2020. Bravo.

Monday, February 24, 2020

Evocations Review

Friday, February 21, 2020

Other Points of View Leslie- Lohman Museum Of Art






This is a high class beautifully installed museum quality exhibition on the little known literary and art magazine View. It was produced with loving care by Charles Henri Ford and Parker Tyler for about 7 years and was highlighted by contributions from many of the leading off beat, off the road artists and writers of the day. Some are now quite famous and back issues of the magazine can go for a pretty penny. The most sought after one is with a cover by Duchamp and I sold my copy a few years back for practically the cost of my rent. The exhibit features artwork, some splendid I might add by the likes of Noguchi, Tchelitchew, Florine Stettheimer along with a display of the covers and lots of ephemera and more. The emphasis of the magazine was surrealism with a strong homo bent thus the magazine was attacked by some of the leading misogynists & homophobes of the day including Breton and Clement Greenberg. But who gives a shit what they have to say.

Jack Youngerman 1926-2020




Wednesday, February 19, 2020

Oddball Magazine

Tuesday, February 18, 2020

zoe caldwell 1933-2020


Friday, February 14, 2020

Recent sketchbook things.





Thursday, February 13, 2020

More old notebook drawings








Sunday, February 09, 2020

Shtisel 2013 2 seasons Netflix streaming






A quite marvelous 2 season Israeli domestic series that takes a loving look at a close knit Orthodox Israeli family living in Jerusalem. There is plenty of gentle comedy mixed in with the pathos and drama and for someone like me, a lapsed Jew who wasn’t even bar mitzvahed this was a great chance to delve into this very secretive and much put upon community of Jews. I grew up in a middle class Jewish Italian neighborhood in Brooklyn and there were Orthodox Jews there but the number has grown substantially since I grew up and left the hood. In fact in my childhood apartment building there was a family of Orthodox Jews and I was play mates with the son. Ah Heshie I still sometimes think of you with your golden blonde payots hanging down the side of your face, and your tzitzits hanging out of your shirt  knocking on our door to come in and watch Superman on our early and only tv set in the building.  I always found the orthodox Jewish community to be strange and off-putting and when I saw this series listed on Netflix I gave it a shrug and passed on it, but I kept thinking about it, it had piqued my interest and I finally watched it. I loved it and can with a big kosher hug recommend it to everyone. At first I actually thought they had gotten members of the Orthodox community to be in it, but quickly realized that what I was seeing was a group of really terrific actors. Tops among them is the head of the large family Shulem Shtisel played by the great Israeli actor Doval’e Glickman and his youngest son Akiva played by the handsome Israeli actor Michael Aloni who is a big heartthrob in Israel and in my house. One of the main plot points of the series is getting Akiva married and his travails of dealing with the women the neighborhood matchmakers pick for him. The other big thing in his life is his inner battle to be an artist. This is what first drew (no pun intended) me to the series. Not good Akiva wanting to be an artist and he has constant battles with his father over this life passion of his. Better he should continue teaching at the local Yeshiva where his father is the principal than God forbid pick up a pencil and a pad. There are other members of the family who have conflicts with their religion and the strict life that they have to lead. One other brother longs to be a singer, and is accepted as the lead singer in a local band, he rocks but in the end he does not follow through with his dream. There are other headaches, a granddaughter who is only 16 falls in love with a young Yeshiva student and they marry which causes alarm and stress with her mother. Her father is understanding maybe because he had a crash in his beliefs and ran off to Argentina shedding all signs of his orthodoxy. There is more. If you are looking for politics and answers to the conflicts between Israeli and Palestine look elsewhere, the series “Fauda” also on Netflix is a good place to start,  I’m still reeling from that one. The Holocaust is mentioned only once, but there’s lots of food, bubbies, dead relatives who come back to chat, age old traditions and love those hats that the men wear. 


New Moma





Made my way to the Moma the other day
to renew my artist membership and took in the member's preview of the Dorothea Lange show. Its small and familiar and again I would rather look at photographs in books and not on the wall. This is not to take away from her work which is superb and lasting, some of those images will be in our collective consciousness for as long as this planet lasts. The place looks pretty much the same to me, still feel like if I don't hurry I will miss my flight. This is still a dull unexciting building with good exhibition galleries but dead spaces left and right. Love it or hate it, its here for good.

Thursday, February 06, 2020

Kirk Douglas 1916-2020


Saturday, February 01, 2020

some more old notebook drawings








Marcella





This is a pretty good crime drama with lots of kinks and twists in it that should keep you watching the 2 seasons. Here we have another cop drama set in London co created and written by the writers Hans Rosenfeldt and Nicola Lardner. Rosenfeldt was behind the Swedish series called “The Bridge” which was later adapted in an English series called “The Tunnel” which Lardner also worked on. I am not a B&T guy with regards to this series and both remain unseen by me. In this drama we have a tough troubled Police detective on the British Metropolitan police force played very well by Anna Friel a little known actress at least in the USA. When the show opens she is trying to come to grips with her failed interracial marriage and her problems with her two teen children a boy and a girl who give more grief than love. She is also riddled with problems like uncalled for violence, blackouts and questionable police tactics and routines. Marcella is to put it mildly a mess. Still she is respected and has come back to the force after a 12 year hiatus to raise her family of ingrates and to deal with her wandering husband who has been cheating on her. The first season is concerned with a serial killer which is nothing new here and she is immediately at odds with her superiors including the very handsome and sexy Ray Panthaki who tries to give Marcella as much space and leeway as he can. Seen in the first season is the terrific actress Sinead Cusak as the cold head of an architectural firm where Marcella’s husband works. There is a lot of trouble and dirt at this palace and this is where a lot of the action spins around. It’s all very complex colorful and a bit confusing including the usual heavy British accents. Also in the first season is the unknown at this time Florence Pugh who plays a tough and greedy sex worker and a nice small appearance by Laura Carmichael who was one of the leading actors in Downton Abbey. Season two is somewhat nastier and grittier with a really ghastly child murderer on the loose and may cause many to squirm and even walk away. I stayed with it to the surprising nasty end. Marcella is no huggy cuddly heroine in fact she can be downright scary and mean which also might be a turn off to some. Don’t know if a season 3 is planned but the ending of season 2 was ambiguous. Lots of loose ends and plot holes with this one, but as I said it’s a pretty good look at. With music that seems to be used in every British crime series and the usual heavy dose of pretty drone Arial shots of London that seems to be a prerequisite for these crime shows.
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