Monday, August 31, 2020

Stranger Netflix Streaming

A complex 16 hour Korean thriller series that involves corruption in the government and corporations along with some murders that should make many people happy. The series takes place in Seoul and features a big cast playing detectives, prosecutors and various villains. The cast features some very handsome leading men including Seung-Woo Cho who plays a prosecutor with some serious personality flaws, he is wonderful. Also quite good is Joon-Hyuk Lee who is also very handsome and plays a combative fellow prosecutor who is up to his neck in complexities and treachery, he is almost a cliche, but sexy as hell. Along for the ride is a female detective played by the superb Doona Bae who is really the heart and soul of the series and is also stunning. Vivid sharp and hyper fast with subtitles that are also fast and can be a problem in following the complicated plot along with keeping all the character's names straight in my head. The show has flaws, over plotting, confused story lines and characters who are there one minute and gone the next, but there is enough good stuff here to keep you glued to the tv. There is also stunning cinematography that gives a good impression of what Seoul is like, a great pounding score, and lots of Korean food. It got into my head so much that I had a dream the other night that I was in Seoul lost but then found.












Friday, August 28, 2020

Chadwick Boseman 1977-2020


 

Wednesday, August 26, 2020

art for sale

I've joined fine art america and I'm selling art there along with other merchandise with my art on it including tee shirts, journals, and these wonderful coffee mugs. You can see everything I have posted so far at this link. Images here are of the coffee mugs which I think are very nice and only $13.00 each. 









 https://irajoel-haber.pixels.com/

Monday, August 24, 2020

Gilda 1946

 Gilda are you decent? So asks George MacCready right before we are introduced to Gilda played by Rita Hayworth in one of the most brilliant and beautiful entrances in the history of film. There is more. Made in 1946 right after the war and set in a fake make believe Buenos Aires which has nothing to do with the real city. This backlot city is cramped and claustrophobic and consists mainly of only two settings, the gambling casino owned by MacCready and managed by his late night alley pick up Glenn Ford who says to him“Get this I was born last night when we met in the alley” and the lush but tacky mansion that is home to MacCready and Ford until Gilda comes along. There is more. It is also a  claustrophobic and complicated plot which opens with a terrific dice game played by a broke and broken down Ford and moves on to a spider’s web density of deceit, and criminality and I might add S&M encounters both verbal and physical. Ford knocks Rita around and Rita gives as good as she gets. They have a past with each other.  Directed by Charles Vidor who had a few years earlier done “Cover Girl” with Hayworth and that hunk of male beauty Gene Kelly, Vidor was never a top notch director, he made some good entertainment for sure, his best being “Cover Girl” as mentioned above and his beauty of a musical bio “Love Me Or Leave Me” with Doris Day. 









There are shadows in all their lives that might cause confusion to the audiences in their understanding of the story. Is it a love triangle going on here? Or for the more sophisticated members of the 1946 audience maybe they got the gist of this relationship being a homo-erotic or at least a bi thing. There is also MacCready’s little friend which is a walking cane, that becomes a sharp knife tip when clicked open and is a smashing phallic image pushed in our faces. Some little friend. MacCready with his real life cheek scar and deep beautiful voice is the perfect villain, scary, unpredictable and traitorous with some hidden and not so hidden Nazi history lurking in his not too distant past, this is 1946 after all and Nazi’s were still visible in real time and in Hollywood thrillers and noirs including another 1946 thriller “Notorious” which has a lot in common with “Gilda” including a ravishing actress, and a difficult combative romance between the leads. “Notorious” is also set in a foreign South American city, this time in Rio de Janeiro and also features a fierce villain or two.  Both films were huge box office hits and both were big attractions at Radio City Music Hall, “Gilda” to my mind being a surprise choice to play the “Hall”.

Then there is the wonderful black gown designed by Jean Louis that Gilda wears when she does her big semi strip tease number “Put The Blame On Mame”. We wonder what is holding up this creation on Rita as she sings (dubbed by Anita Ellis) and dances and moves to Jack Coles choreography.  No one moved like Rita, and the dance is memorable and is always visually quoted both in motion and stills. The film is lush looking thanks to the cinematographer Rudolph Mate, and is fun to watch, even though a lot of it is confused and chaotic. The ending is a little too abrupt and phony as the leads take off for a happy ending, and some of us might be left scratching our heads in disbelief over what we have just seen and we’ve seen plenty.   

Sunday, August 23, 2020

Lori Nelson 1933-2020

 

Thursday, August 20, 2020

Ben Cross 1947-2020

 

Remembering Tom

 ira joel haber my old friend Allen Young the writer and gay activist sent me an email today reminding me that it is 33 years today that Our friend Tom Wirth passed from Aids. He was my best friend and his death had a lasting effect on me, changing me, isolating me, making me sad for the years that followed. Some of you here knew Tom so in honor and memory I'm posting Allen's memory of him. The photo of me and Tom is new to me, I don't recall ever seeing it. How young and handsome we were. Rest in Peace my dear friend.

"Next to die was Tom Wirth in August 1987. Tom, initially a friend of Carl Miller, loved visiting Butterworth Farm, and I was one of several people who equally enjoyed visiting him in New York City. His Lower East Side apartment was a funky walkup without a working door buzzer system, so you had to call Tom from a public phone nearby and then he came to the window and threw down the key on a very long string, pulling the key back up after you unlocked the entranceway door. Visitors to that iconic New York apartment – beautifully put together despite its minuscule size – enjoyed scintillating conversation, comfortable well-worn furniture, excellent meals cooked by Tom and his lover Gene Bowman in their tiny kitchen, and a sophisticated record collection. I’m not a music buff, but I remember him playing some Nina Simone tunes for me.
AIDS impacted Tom’s brain, and he fell totally and completely silent. When this happened, and he was clearly in decline, I went to visit him. He had broken up with Gene before becoming ill, and he was living by himself with help from friends and neighbors. I sat alone with him and told him how much I and others at the farm loved him. I recalled some of the good times we had together. I think he heard what I was saying, but I don’t know for sure. It was all very disturbing. ...
Tom became so ill that he was hospitalized at Bellevue. In a failed attempt to get him home – as he would have wanted – his legal guardian and friend, John Evans, went to court. A New York Post photographer made his way into Tom’s hospital room, and a large photo of Tom was placed on the front page of the New York Post with a sensational headline, giving him some bizarre fame via this tragic illness. The court case made him famous enough to get this obituary in the New York Times on August 22, 1987:

Thomas Wirth, Sought the Legal Right to Die
Thomas Wirth, a New York City man who had urged doctors not to take extraordinary measures to prevent his death from AIDS, died Thursday at Bellevue Hospital from an AIDS-related brain infection. He was 47 years old.
Mr. Wirth became the focus of a court battle last month when a legal guardian whom he had appointed filed suit to force doctors at Bellevue to discontinue drug treatments and allow Mr. Wirth to die.
The guardian, John Evans, who was Mr. Wirth's neighbor in the East Village, based his case on a ''living will'' that Mr. Wirth drafted with a lawyer in April. The document stated that Mr. Wirth wished to be allowed to die without extraordinary medical measures if he could not be restored to a ''meaningful quality of life.''
On July 27, however, Judge Dawn A. Sandifer of State Supreme Court in Manhattan ruled that Bellevue doctors could continue Mr. Wirth's treatment. Although Mr. Wirth's instructions were clear and binding as far as a terminal illness was concerned, Judge Sandifer wrote it had not been proven that Mr. Wirth's brain infection, which was treatable, was itself “without hope.”

A decent obituary about Tom’s life was written by his friend John Evans and published in a local city weekly. He described Tom as a “handsome man, tall and with a regal bearing; he had beautiful gray-green eyes, dark curly hair with a full, but well-trimmed beard which he wore for at least twenty years,” and told how the judge could not be convinced that “quality of life” was “probably his prime concern. All his life, he had remained on the edge of society, picking and choosing what he liked.” He recounted that his ashes were taken “to a farm in Massachusetts. He visited there each year. It is a beautiful spot and on a particularly beautiful spot, a flowering crabapple tree was planted to mark where we spread the ashes….In his suffering, he did a great service for the gay community and for all persons who wish to die in peace and dignity.” At our intimate ceremony at Butterworth,

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Wednesday, August 19, 2020

Ron Gorchov 1930-2020



Sorry to hear this. I knew him back in the 70's and the last time I saw him was a while ago at a reunion of the Rooms show at P.S. 1 in 2006 that we were both in. I smartly brought the catalog with me and had many of the artists there sign their pages including Ron who wrote "hi ira with deep admiration Ron" A life well lived.

On My Skin: The Last Seven Days Of Stefano Cucchi 2018.

 I came across this Italian film last night on Netflix and to say that it seared my mind and heart is putting it mildly. The film based on fact tells the story of a young Italian man who has drug problems but is on his way to recovery and redemption when one night sitting in his car with a friend is stopped and searched by the police who promptly arrest him for having a meager amount of drugs on him. The nightmare begins and I won't go into details of what happens. Sure Stefano is a wise ass but there is a sweetness to him and he is loved by his family. He is trying to overcome his faults. This is a first time film by the director Alessio Cremonini and he tells his story in minimal style and he is helped by the lead Alessandro Borghi who plays Stefano and is superb. This is one of the great works of film acting I have ever seen, this is no exaggeration. The ending had me reduced to uncontrollable crying. The violence is all done off screen, the results are shown and might be difficult for some to take. The film is shown with subtitles and is happily letterboxed. This is one that will stay with me for a long time.

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Tuesday, August 18, 2020

New Box. Summer of 2020

 

Sunday, August 16, 2020

Qwerty Magazine Summer 2020

Just got this beautiful issue of Qwerty Magazine published by the university of new brunswick in Canada. Its quite spectacular and glossy in terms of the printing and production and oh yes they used three of my artworks within which helps. A nice treat for me in all this doom and gloom.



 

Saturday, August 15, 2020

Luchita Hurtado 1920-2020

 

Friday, August 14, 2020

Linda Manz 1961-2020

 

Halt and Catch Fire 2014-2017


First of all before I start offering up my criticisms of this long 4 year series about the birth of the personal computer and the internet I have to say that I loved this show. Set in the early 80’s through the early 90’s in Texas and San Francisco the show focuses on 4 young people including several smart attractive women, a sexy bisexual male, a married couple along with an older man who invent and come together off and on and come up with the startling inventions and machines that we now know as the internet and personal computers. Its all fiction (yeah right) but based on fact and probably from what I can tell some real figures from the early years of  the computer age. I think the reason that it basically remained unseen even after a nice 4 year run and good to excellent reviews is that people thought it was going to be dry and didactic. Lectures about computers blah who needs it. Its very far from that. 

Wonderfully written and directed with a eye for romance and complicated relationships both in the work place and the outside world with a cast which was mostly unknown to me, a familiar face here and there but mainly young and unknown. All are terrific and with some beautiful leads including Lee Pace Mackenzie Davis and  Kerry Bishe along with Scoot McNairy who is not pretty but is one of the major brains behind all the inventions and gives a superb performance.  Also in the great cast is Toby Huss, Annabeth Gish and Anna Chlumsky along with small delicious turns by Jean Smart, James Cromwell, Annette O’ Toole and a 10 minute bit by Carol Kane as a fortune teller.                                  They are computer nerds and geniuses puttering away in garages but also making big deals in the board rooms and chambers of the infant computer world while having real infants of their own. They are able to connect complex wiring systems, to code serious programs and even  repair complex air conditioning systems but unable by and large to connect with each other on personal and passing connections. Marriages fail, both long and short, arguments and fights abound, friendships die and so do romances and family bonds if they even existed are scattered to the dry hot winds of the Midwest. . Families are in the front and center of the series that is not unusual and some of the characters carry scars both visible on their chests and in their minds and hearts that fester and hurt. There is a  bisexuality line that is light and almost invisible, and there are several gay threads that are also light and almost not visible which brings me to my main criticism of the show and its major fault as deep and visible as the one called San Andreas. How is the AIDS crisis never referred to is beyond me, I was not looking for “Angels In America” or “The Normal Heart” but this series takes place in the eighties and early 90’s in San Francisco and we not a cry or bit of anger over this disease taking place around and within but is invisible and not mentioned. I lived in California for 2 years in the early 80’s and visited San Francisco several times and AIDS was a big part of the scene and our lives, it is not there in this series. Yes there is a well handled but brief disturbing gay bashing and two of the female characters both realize that one of their young daughter’s is gay, handle it in a sweet and carefree manner and then move on. It is a real moment for sure and funny in the nonchalant way that says hey this is no big deal.  And oh yes Halt and Catch Fire “is computer machine code instruction which would cause the computer’s central processing unit to stop working.”   Easily  one of the best things I’ve seen on t.v. and is right up there with Six Feet Under, Mad Men, The Sopranos, Ozark, Giri/Haji, Shtisel and a few others. See this one. Now streaming on Netflix.    

Wednesday, August 12, 2020

Can-Can or if you prefer Ca-Ca 1960


 A flat and dead on arrival musical that was based on the hit Cole Porter Broadway show of 1953. The film arrived in 1960 in a big Todd AO reserved seat showing. Me as a 12 year old saw it at the now gone Rivoli Theatre and was not impressed. The thing I vividly remember was how dizzy I got when the curtain opened on that huge screen showing a Paris street scene on the back lot of 20th Century Fox. I decided to take a look at it again after all these passing years since it is now on a restored 2 disc dvd and my opinion of it hasn’t changed much. The dvd that has been so lovingly restored has shifting colors throughout and the general faults of the film and there are quite a few should be laid at the feet of  Walter Lang who directs it like it was a stage production, head on and flat. He has no idea it seems how to make a production number into a production and he isn’t helped by the blah art direction or the ordinary costume design.  

Lang who was a 20th Century Fox in house director had a very long career that began with silent films and ended in 1961 with the lowly and ludicrous “Snow White and The Three Stooges”. He was a decent enough director and is mostly known for all those Betty Grable and Alice Faye interminable 1940’s lavish musicals along with some Shirley Temple features. His biggest achievement and only directing Oscar nomination was for his helming “The King and I” into a box office hit. Of course the two directors who immediately come to mind who maybe could have breathed some life into it were Vincente Minnelli and George Cukor. Minnelli probably didn’t want to do another Paris set musical especially one that was so studio bound as Can-Can and Cukor was about to start working with Marilyn Monroe who by the way turned this turkey down to make “Some Like It Hot” good choice Marilyn.

There is no “cinematic” involvement between the viewer and the film, we are kept at a far away distance and this is especially glaring in the big musical numbers. The dancers work damn hard and yes they are good, thanks to Hermes Pan but compare what John Huston did with his “Moulin Rouge” especially the Can-Can dancers back in 1952, or The Renior movie “French Can-Can  or the fast and furious Baz Luhmann “Moulin Rouge.” This one just doesn’t cut it and it is silly at best and dull at worst. The film has been sheared of many of the Cole Porter numbers from the show, and a new character has been added played by a lazy Frank Sinatra, who gives one of his dead performances that he was very capable of giving especially in the late 50’s and early 60’s. His toupee looks askew and its basically a rat pack routine especially since one of the members, the only female in the group Shirley McLaine is also plopped down on us. She is shrill and annoying. I was expecting some cameos by Peter Lawford, Sammy Davis Jr. & Dean Martin. Also pushed on us is a deadly reprieve of those two fun loving “real” Frenchmen Louis Jourdan and Maurice Chevalier fresh off their “Gigi” gig.  There are several wonderful Porter songs that have been added to try to flesh this load out, and in fact when Sinatra sings It’s Alright With Me” to Juliet Prowse we are in a great place if only for a very few minutes. Although not a box office bomb, it finished at 23rd in b.o. profits for the year, but received only 2 Oscar nominations. See this one if you must.    

Saturday, August 01, 2020

Wilford Brimley 1934-2020


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