Friday, July 29, 2022
Wednesday, July 27, 2022
Tuesday, July 26, 2022
Monday, July 25, 2022
Sunday, July 24, 2022
Kane
I treated myself with the 3 disc blue ray edition of citizen kane from Criterion because they are having their half sale event via barnes and noble. The film looks gorgeous I saw things that I never noticed before, like reflections of rain on a desk and that childhood scene of snow and sadness still moves me. Its a remarkable film. Its rich in images, sound and gossip. My relationship with Kane goes back to my childhood when one of my favorite programs on t.v. was "Million Dollar Movie." Each week they showed one film twice a day and that's where as maybe a ten or 11 year old I saw Kane for the first time. Chopped up of course to fit the time slot, with commercials and on our small tv. I still loved it. It caught my attention and imagination and I think I watched it every day it was on, driving my family nuts. There was also the theme music for the show from Gone With The Wind, and one week there was Kane, and the next week there was an Abbott and Costello comedy. I think I finally saw the complete movie when I was a late teen on a double bill with The Magnificent Ambersons probably at the Thalia and afterwards me and my friend Howard had Mexican food for the first time, we remember these things don't we. I think we loved Ambersons more than Kane this time. For a time Kane was always picked by Sight and Sound as the greatest film ever made, until it was kicked off the top by another childhood favorite of mine Vertigo and how many times have I seen that one. Some things about Kane bother me, like the glaring old age make up on Welles, but there are so many amazing things in it, like that strange parrot and Dorothy Commingore who is so sad as his mistress wife. And then there's Gregg Toland who Welles shared credit with at the end for his great cinematography. The package has so many extras that it will take me a while to get through all of them.
Saturday, July 23, 2022
Monday, July 18, 2022
Thursday, July 14, 2022
Link tree
My roommate just did this amazing thing for me. He got all my websites, blog etc on one location called linktree. Check it out you can also view my book page, my products for sale, instagram and more..
https://linktr.ee/irajoelhaber...
Wednesday, July 13, 2022
Saturday, July 09, 2022
The Birds 1963
Released on April Fools day in 1963, this was Hitchcock’s 2nd Horror film in the short span of 3 years. It came on the heels of his shocking “Psycho” of 1960 and in hindsight “The Birds” was in a way a harbinger of the disaster that would hit our country and indeed the world in a few short months. This film and “Psycho” would become two of the most influential films in the history of cinema whose touch is still being felt today more than 60 years after their initial releases. At the time both films were played down and not taken seriously for their importance. “The Birds” came at us with a great publicity ad campaign, the headlines screaming “The Birds Is Coming” and it was soon bringing in big crowds around the country and indeed the world. This was Hitchcock’s end of the world movie that was based on a short story by the dependable Daphne du Maurier who had also given Hitchcock the novel “Rebecca to film and was his only film to win a best picture Oscar. Since I never read the original short story that “The Birds” was based on I can’t submit my feelings on it or how loyal Hitch was to her story. I do know changes were made and for those who want to read a good detailed take on the film I suggest the small but packed monograph by Camille Paglia published by the BFI in 1989 and is part of their terrific and large series of “film classics.”
This is another one of the directors mother films, which number in the many and
range from deep and disturbing takes on motherhood to little humorous curtsies
to moms including “To Catch A Thief” and “North by Northwest” with the mommies
in both played by the regal and sophisticated Jessie Royce Landis. Both
“Psycho” and “The Birds” are deep dish mommy horrors especially “Psycho”, and
in this bird nightmare Hitchcock not only gives us a mother played by the
wonderful Jessica Tandy who carries all
the jealousy and clinging of a threatened mom in jeopardy but he also gives us
the biggest mother of them all, mother nature who takes center stage in the
film.
She is another mother with a knife this time symbolic and not like Mrs. Bates
in “Psycho” who wields a real one, and this time her vengeance is thrown across
the screen and landscape with birds who kill. The story is simple: a flashy rich young woman meets a handsome
man, and instead of him pursuing her, she takes off after him. A little of 30’s
screwball comedy begins the film but it is soon drown out by an unexplainable
menace. The rich young woman is played
by the then newcomer Tippi Hendren in sharp hairdo and heels and stylish
clothes by the always good Hitchcock collaborator Edith Head who as some urban
legend bathroom graffiti of the time declared “Gives good costume”.
There is a meeting cute in a pet shop in San Francisco at the beginning of the
film that sets up the conflicted romance of Tippi and the hunky Rod Taylor who
wander among love birds in cages, that will play an important part later in the
film along with our human love birds pecking and clawing at each other that we
know will turn into a full blown romance. Tippi follows Rod the hunk to his
home in Bodega Bay
by sports car and motor boat
where he lives part time with his angry mother and young sister played by
Veronica Cartwright who will later on make a good career playing in other top notch
horror flicks like “Alien” and the remake of “Invasion Of The Body Snatchers”.
The minute mommy Jessica meets Tipi the jealousy and soft hatred begins all of
course on Jessica’s part. She is lonely and afraid and this will be shown more
deeply and clearly once the unwanted visitors come pecking and banging at the
door. Tippi also meets Rod’s once upon a time girlfriend who also lives in
Bodega Bay and in a ruse Tippi claims that they went to school together or some
such lie. His ex-girlfriend played
beautifully by the lovely Suzanne Pleshette gives what I consider the best
supporting performance of the year. Pleshette plays the schoolmarm of the town,
caring and dedicated to her pupils which will be made very clear after a
devastating and memorable attack on the school by the birds. This is probably
the most remembered and feared sequence among several in this very fearful film
in which the birds mass ready for attack on the jungle gym outside the school
as Tippi unaware of what is going on behind her sits and smokes a cigarette.
This is a silent sequence except for the school children inside singing a bland
childhood song which we along with Tippi hear. There is no music score in the
film, a very avant garde idea for a Hollywood film, only the flapping of the
birds wings and the awful sounds they make. This nerve wracking electronic
score was created by remi gassmann and oskar sala with added imput from the
great Bernard herrmann who composed many of Hitchcock’s films. The film was
also ahead of its time in it’s use of special effects and the use of real birds
along with fake ones. Another one of Hitchcock’s long time collaborator Robert
Burks did the amazing cinematography and several top notch names worked on the
special effects including Ub Iwerks, Robert Boyle, and Albert Whitlock. The Blu ray transfer finally does the film
and their work justice. The ending is perfect and Hitchcock leaves it open to
interpretation and depression. The best
film of 1963.
Thursday, July 07, 2022
interview and a video
A few weeks ago Extreme Reach and Swag With A Purpose did an interview with me for Gay Pride. I've finally got around to post it. I really don't know much about these companies other than they are supportive of the Gay Community.