Lifeboat 1944
If you are curious about the cult of Tullulah Bankhead then
this is the movie to see. She made very few films and this Hitchcock movie is
without a doubt her best work. She
plays a sophisticated spoiled photojournalist who when the film opens is alone
in a lifeboat having just been thrown into the sea after the ship she was on
has been torpedoed by a German U boat which has also gone under. Tullulah who
is oblivious to what is going on around her sits there in her mink coat, camera
and typewriter at the ready and looking like she just stepped out of the
Algonquin. She is soon joined by other survivors of the sinking which make up a
cross section of society including the very hubba hubba John Hodiak who does
most of the film shirtless, Canada Lee, (the only actor who is not pictured on
the poster) and is referred to as “charcoal” which made me do a double take
(did I really hear right) as the most centered and dignified character in the
group along with, Hume Cronyn, Heather Angel, William Bendix, Henry Hull and
Mary Anderson. Also fished out of the ocean is Walter Slezak who plays the
German captain of the U boat and is naturally the villain of the film. The
movie is based on a story by John Steinbeck who it is said was not happy with
the film, indeed many critics weren’t either some of whom stupidly accused
Hitchcock of being sympathetic to the Nazi’s because of the strong image that
Slezak projects and this of course was rubbish but it did affect the box office
of the film. This is a tight space of a movie, and maybe some would say a
gimmicky one what with the entire film taking place in a lifeboat. Soon the tenuous community starts to fall
apart with layers of their personalities landing on the bottom of the little
tub. Friendships and indeed lover relationships are formed, but there are also
fights and arguments among the group. There are also many crisis that one would
expect in this type of dire situation and some unexpected ones, amputatations,
the death of a child, storms, lack of food and water and mistrust especially of
the Slezak character who meets a terrible but just and predicable fate. This is
hardly a deep film too many stereotypes and expected results but its a
fascinating relic from the war years and hey its still Hitchcock and there is
Tullulah who transforms from hoity toity to just one of the regular folks
calling everyone darling this and darling
that thus adding to her myth and giving comedians material for years to
come. Surprisingly she won the respected New York Film Critics award that year
for best actress.
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