Summertime 1955
This is the one about a lonely spinster from Ohio who takes
a long planned trip to Venice and immediately falls in love not only with the
city but with a dashing and charming antiques dealer. The spinster is played
with charm and subtly by Katharine Hepburn who would be starting the vivid 2nd
half of her remarkable film career with the playing of this kind of role. One
can of course point to 1951’s The African Queen as the real starting point of
her spinster roles but as we all know that film turns out to have a happy fairy tale
ending, Summertime doesn’t. Her lover is played by the very appealing and good
looking Rossano Brazzi, and there is
also a good small supporting cast that adds to the charm of the film. Of course
the other star of the film is the city of Venice and David Lean and the great
cinematographer Jack Hildyard capture the beauty of this place in vivid and
stunning color shots and scenes. This film also marks the end of David Lean’s
marvelous character driven small chamber pieces (a good bookend to the film
would be his great 1945 film Brief Encounter which has a lot in common with
Summertime, including that both of these strong heterosexual love stories were penned
by gay men, (but that’s a whole other topic). After this film Lean would embark on his
large scale epics that would consume the rest of his brilliant career with
mixed results. I love this film and have made a point of seeing it at least
once a year, I simply never tire of it, and I’m always left sobbing uncontrollably
at the final scene. Hepburn is perfect in it, and her somewhat at times
irritating mannerisms tics and tocks have not fully made themselves
at home in her acting persona. Watching her deal with her loneliness and self-
consciousness as she sits by herself in a café in the Plaza San Marco is for me
a gateway into mine own sometimes sadness and loneliness that’s how good she is in this role. There can
be critiques made of the clichéd portrayals of the boring, silly and
overbearing American couple who dash about this remarkable city as if they were
in some department store, and the overly cute little street urchin who takes
Hepburn by surprise and charms and
delights her, but these criticisms are
minor and some might even say that they are needed clichés and who cares
when you realize how glorious and captivating this film is. I’ve mentioned the
beautiful cinematography by Hildyard (the Criterion transfer is breathtaking) and
I would also like to point out the superb music score by Alessandro Cicognini. Also
in the cast are Darren McGavin as an American painter and Isa Miranda as the
owner of the pensione that Hepburn is staying at. Based on Arthur Laurent’s
play The Time Of The Cuckoo that was later turned into the 1965 musical “Do I
Hear A Waltz” with music by Richard Rodgers and lyrics by Stephen Sondheim. It
was a dismal failure and ran for only 220 performances. One of the ten best films of 1955.
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