Kings Row. 1942
Chances are good that if you mentioned the name of director Sam
Wood to someone, you would be met with a blank stare. But it turns out that Wood was responsible for
some big box office hits of Hollywood’s golden years not too mention some of
the most entertaining ones. Films of his included A Day At The Races, Goodbye
Mr. Chips, The Devil And Miss Jones, Pride of The Yankees, For Whom The Bell
Tolls, Our Town and 1942’s Kings Row.
Based on a big novel about small town life at the beginning of the 20th
century by Henry Bellamann, and I guess you could look at it as a precursor to
Peyton Place. It included all sorts of issues that one would think would make
it impossible to film in 1942. The novel included incest, insanity,
nymphomania, sadism and homosexuality all of which were taboo topics back in 1942
when Warner Bros. tackled the making of this film. Watered down somewhat, and with much of the
forbidden subjects either played down or totally eliminated, (the sadism
element is in the film), the movie still had enough implied hot and forbidden stuff behind its closed doors to hold 1940’s movie
goers in rapt attention. The film opens with a beautiful traveling shot of
children leaving school in the small town of Kings Row and we are soon introduced
to the four young leads who will later grow up and become the main characters
of the piece. Some of the dark secrets are also hinted at in this early part of
the film nestled among the bucolic setting of small town life which will later
hang in the air with dire consequences for all concerned. The cast was good,
and especially fine were Ronald Reagan, (yes Ronald Reagan) Ann Sheridan (ah Ann) and Betty Field all of
whom have strong, indelible moving moments and scenes including Reagan’s famous
where’s the rest of me bit. The only
actor who falls way too short is Robert Cummings who was not capable of
bringing much depth or shading to the lead role of Parris Mitchell. It’s a
shame that they didn’t cast an actor with more charisma in this part. Originally
Tyrone Power was talked about, but his home studio 20th Century Fox
balked at this idea and would not let him do it, a shame because he would have
been far more believable and infinitely more attractive in the role than
Cummings. The film is beautiful to look
at with great cinematography by James Wong Howe and classy set design by the
great William Cameron Menzies. Also of note is the brilliant and memorable
score by Erich Wolfgang Korngold and I
couldn’t help picking out parts of the score that reminded me of John
Williams’s score for Star Wars, and made me think Mr. Williams was strongly influenced
by it. The marvelous supporting cast included
Claude Raines, Charles Colburn, Judith Anderson and Maria Ouspenskaya. The
ending which is somewhat abrupt and hokey doesn’t take away from this example
of elegant Hollywood movie making at its very best. Nominated for 3 Oscars including one for best
picture of 1942.
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